HOP(E) – Site specific performance

January 16th, 2012

HOP(E) – Site specific performance
Improvisations in various spaces of Java Café & Gallery

7pm Wednesday, January 18, 2012

Coming from different horizons, having met here and there (Cambodia, South Korea, France), it’s the first collaboration for this group of artists.
Invited by JavaArts, their will be dance, music, exchanges… an energetic dialog with the space!

All welcome!
With
Céline Bacqué (France-South Korea)
Lee Bong Gyo (South Korea)
Nget Rady (Cambodia)
Soy Chanborey (Cambodia)
Chen Borey (Cambodia)
Bruno Schell (France)
Stéphane Routtier (France)
Eric Ellul (France)
and maybe Siu? (France-China-Vietnam-Camb​odia)

photo Anders Jiras (www.jiras.se)

BODY Poetry with Gone Marshall and Shane Worrell

January 14th, 2012

BODY Poetry Night at Java Café on January 14th at 7:30 pm will feature writer, vocalist, and performer Gone Marshall and the satirical pop poetry stylings of Shane Worrell.

In accordance with tradition we will be offering cheap booze and Angkor beer cans for just $1. And as always we welcome you to our open-mic!

Drink deal starts at 7:30 pm, and the poetry starts VERY SERIOUSLY THIS TIME at 8:00pm.

For updates on events, join the BODY e-mail list, at BODYphnompenh@gmail.com or check us out on Facebook.

READER BIOS

J.Rosette, aka ‘Gone Marshall’, is a filmmaker, writer, vocalist and performer who has been living in Southeast Asia since 2005, much of that time in Cambodia.  His credits as a filmmaker and producer include: the award winning feature documentary, ‘BookWars’, the multicultural road movie ‘Lost in New Mexico’, and other commissioned documentaries, shorts, PSAs and edutainment media.

While living in New York, he acted in various off-off Broadway theater productions and indie films, and is a member of the Screen Actors Guild. Mr. Rosette is also the founder of Cambodia’s first internationally recognized  film festival, CamboFest (www.cambofest.com), as well as the neighboring Bangkok IndieFest (www.bangkokfest.com).

He will be reading selections of original writings from ‘William Bonney’s Electric Book of Hours’ (poetry), HURRICANE (creative fiction) and other poems, musings, scribblings, and selections.  Accompanied by jazz pianist Barry Speirs.

Find out more at www.jasonrosette.com

Shane Worrell is a reluctant satirical pop poet from upper-lower-middle-class Australia who recently moved to Cambodia and now works as a sub-editor at The Phnom Penh Post.

His original plan was to be a children’s birthday party pirate, but after being able to pen just one song – Arr, arr, arr me hearty, let’s celebrate your birthday party – he considered other things.

In his time as lead singer of Melbourne kindie rock band Telemachus Brown, Shane found 1 minute and 28 seconds of fame when one of his songs was used on a BBC TV show and another few seconds of fame when iTunes censored another song it accidentally thought had an offensive title (but didn’t).

He released a novel called Tom Climbs the Fence in 2010, which one Australian newspaper described as “a resounding success”, but in between gigs involving poetry and the odd song on acoustic guitar, Shane tries to convince his family that he is not an artist.

BODY Poetry night begun early 2010 by Phnom Penh residents and published US poet Philip Heijmans and Pushcart prize nominated Chris Crawford to create a beat of poetry in Cambodia, BODY Poetry Series quickly found a pulse of not only performers, but enthusiastic writers as well.  BODY Poetry joined forces with Java Café & Gallery and together have launched a monthly series of events.

Unnamed Pile, new works by Meas Sokhorn at the Institut Français

January 6th, 2012

Unnamed Pile by Meas Sokhorn
Exhibition Opening: Thurs, January 12, 6.30pm at the Institut Français (Phnom Penh)

Artist statement: The new enterprises of Art generate no problems between collectors, galleries and “workers.” The strike is totally absent from their relationship despite the lack of pay or holidays… Art works according the preferences of artists, customers and resellers.

However, the lack of good manners around the art, starting with the absence of inauguration, leads the market in uncertainty. Artists, already very fragile, copy themselves to conform to the market and all the works tend to look alike. Victims of certain form of piracy, the qualities of some artists remain unknown. Is not this that is splitting, destroying the very essence of the word “ART”? Who will save the fragile, even catastrophic, situation in which is art in this country?

Born in 1977, Meas Sokhorn studied Interior Design at the Royal University of Fine Arts of Phnom Penh. He quickly discovered his interest in contemporary art particularly in making large-scale installation works. He participated in the Melbourne International Arts Festival, has been in residence in Long Beach USA and one of his art work is at the Singapore Art Museum.
He lives and works in Phnom Penh.

“My Selfish Family”

December 29th, 2011

Paintings by Ben Thynal
Opening 6-9pm Tuesday, January 10, 2012

Showing January 10 – February 19, 2012
Java Café & Gallery
56 Sihanouk Blvd, Phnom Penh, Cambodia
Viewing hours: every day 7am – 10pm

In a coded manner, Thynal looks at the selfish nature of human relationships from the familial to the religious.  By referring to his “family” Thynal immediately suggests something intimate and personal, but alludes to society as a whole.  Unapologetically, he discards the “politically correct” view and looks critically at how families often manipulate and exploit each other for personal gain, the pretense of religious rituals and even the abuse of corruption.

“When even one person acts selfishly, it hurts everyone,” Thynal explains.

One painting, titled “Immoral,” depicts a mother with long snake-like arms trying to catch children out of the air while a “thought bubble” is filled with playing cards.  The mother preys upon her own children to make money that she only wastes by gambling.  Another shows a tightly wound group of people trapped in a circular formation—their smiling faces purposely misleading when paired with the title “Monster Family.”  In “Balance” several intertwined figures that represent a network of self-serving individuals fill an egg-like shape that balances on another small egg and small red circle resting precariously on a thin line.

In each of the paintings, the cartoon-like figures belie the menacing subject and hint at the contradiction between one’s inner nature and the external expression.

Thynal, part of the new generation of outspoken and critical artists, has explored several themes that are socially-focused including landmines, the environment and the aftermath of the Khmer Rouge.  He works as an art teacher at Mith Samlanh, one of the leading NGOs working with vulnerable youth and their communities.  He graduated from Phare Ponleu Selpak (Battambang) in 2006 and his work has been exhibited in Phnom Penh and Siem Reap.  This will be his second solo show.